“The End of Oak Street gives nuanced, fully lived-in portraits of women in their 70s and older.”
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“All the Millennial graduates of indie sleaze will be knocking down the door to join Finding Emily on the dance floor.”
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“Meta Take One dares to put Black men in a role Hollywood almost never lets them play: the doomed, self-destructive genius.”
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“Is God Is shows that Black disabled women are still deserving of feeling beautiful and pampered.”
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“Mortal Kombat II is a superficial but fun, gory blockbuster that doesn’t sacrifice inclusiveness.”
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“I Swear puts viewers right into the moral fray of big disability debates taking place today.”
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“The romance genre abounds with toxicity, but in ‘Wuthering Heights,’ I felt safe in Emerald Fennell’s hands.”
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“Seeing underrepresented characters in a zany B-movie like Good Luck, Have Fun, Don’t Die is a welcome sight.”
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“GOAT is a fresh, inclusive, and gorgeous option for families looking for their next watch.”
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“Magellan’s racial representation is terrific, but the women are simply cannon fodder.”
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“Marty Supreme touches on Deaf and Jewish identities while also introducing strong, compassionate characters of color.”
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“Bedford Park makes a lovely addition to the library of Asian American stories that interrogate our complicated histories in this country.”
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“Everybody to Kenmure Street emphasizes collectivism, with many white neighbors joining in and helping to protect the Sikh detainees.”
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“The plot differs from the original Lilo & Stitch, and its new depiction of foster care in Native contexts has uncomfortable implications.”
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“Familiar references and attention to detail make A Nice Indian Boy feel authentically Indian despite being set in the West.”
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“One Battle After Another tackles stereotypes but doesn’t give characters enough depth to subvert them.”
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“Hamnet breathes life into an unknown woman.”
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“The cultural references in Doin’ It suffer from oversimplification.”
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“Modern Whore challenges the desexualization of disabled people in mainstream narratives.”
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“The Bad Guys 2 gives a stellar blueprint for how a franchise can tweak older material to suit today’s audiences.”
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