“Three Little Birds spotlights the Windrush Generation and recognizes Caribbean immigrants’ outsized contributions to British culture.”
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“I can’t remember the last time I’ve felt so seen by a show, or felt so strongly that watching Beef has helped me to see others.”
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“The White Lotus still struggles to write well-rounded characters of color, but improves on its first season in almost every other regard.”
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“The Bear is more inclusive than its premise would have you think.”
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“Evil centers a trio of religious minorities—an atheist, a Muslim, and a Catholic—whose heated but respectful debates form some of the show’s most compelling scenes.”
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“Succession deftly critiques white feminism as anything but radical.”
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“The unsparing nature of When They See Us has sparked conversations about whether it’s another in a long line of works that rehash Black trauma.”
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“Theodora may be the only queer Crain but her romantic entanglements are just as messy and realistic as those of her siblings.”
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“Star Trek’s first black Captain, Benjamin Sisko, is an amazing character whose blackness never feels dialed down.”
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“The writers of The Good Place prove that you can create ridiculous, exaggerated characters without ever having to reach for flat characterizations or stereotype.”
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“The entire cast is white except for Lucas, a rule-abiding kid who is Black. This kind of retro tokenism is not something we should be nostalgic about.”
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“For many children of immigrants, myself included, this was the first time seeing our family dynamics authentically portrayed on screen.”
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“The Handmaid’s Tale does not grasp the language of racial diversity.”
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“Atlanta is leading the vanguard of modern storytelling, redefining what it means to be a television show.”
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"The story is, at the core, an age-old romance infused with new and modern themes."
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