“Early Man’s lovable and non-verbal warthog has more screen time than any female character.”
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“The Commuter uses female characters as nothing more than plot accessories.”
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“Call Me By Your Name has been marketed as a gay romance, yet less overt is its inclusion of Jewish culture.”
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“Molly’s Game takes away Sorkin’s biggest Achilles’ Heel—writing complex female characters—by basing his story off a woman’s autobiography.”
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“How many more times do we need to glorify black pain? And to what end?”
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“It’s alarming that millions of young men are watching—and internalizing—this display of toxic masculinity.”
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“Where Rose has paved the way, other female characters of color need to follow.”
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“There are ways to poke fun at someone without resorting to fat-shaming.”
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“Mudbound ditches the simplistic notion that white nationalism only hurts Black people, arguing instead that systemic racism is a poison that sickens everything around it.”
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"The film harbors no curiosity whatsoever of the man behind the brown skin and turban."
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"Having a woman at the helm cements the feminist chops of The Beguiled; however, people of color are absent from this eerie fable."
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“Coco may very well be my favorite Pixar film to date. But a film that doesn’t designate the mere seconds it takes for two women to exchange words will always have room for growth in terms of inclusion.”
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“Rough Night is uneven in more ways than one, displaying a fantastic same-sex relationship in the same breath as it makes fun of fat people.”
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“In Three Billboards, Black and Latino characters come to the rescue of white protagonists yet enjoy no character development of their own.”
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“Women speak for less than 4 minutes in a film that runs 2 hours and 6 minutes long.”
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“While Wonder does generally reflect its diverse setting of New York City, leading roles remain exclusively white.”
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“When an 83-year old novel is more feminist than its modern film adaptation, you know there’s something wrong.”
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“Girls Trip puts their money where their mouth, providing work opportunities for actors of color. Of the top-billed 15 characters, 12 go to black actors."
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“Gerwig brings everyone down to their base components: fragility, strength, and the overarching sense that we are all just figuring ourselves out.”
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“Thor: Ragnarok does not pass the Bechdel test, which should be a low bar to clear in a film with two female leads.”
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