“Little Women’s monologues, though powerful, rattle their importance as if delivered in a playhouse.”
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“Ford v. Ferrari lightly challenges the ‘60s-era cliche of male infallibility.”
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“Ruby must deal with the stigma of being a Black woman in the VERY white Irish mob. But like so many topics in The Kitchen, nothing ever comes to fruition.”
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“The portrayal of Bruce Lee and the othering of Mexicans has the appearance of Tarantino punching down for the sake of cheap humor.”
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“Anna mines familiar story beats and stereotypes without adding anything new to the genre.”
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“Endgame fails its female characters by devaluing them and forgets its characters of color entirely.”
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“The treatment of race in Hellboy could be seen as a minor bright spot.”
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“Michelle Yeoh continues to be #LifeGoals.”
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“Despite some characters feeling stereotypical, A Madea Family Funeral takes an honest look at the Black experience during mourning.”
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“Cold Pursuit stumbles in its exploration of how Native Americans are treated in the United States.”
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“Hereditary literally demonizes a transgender spirit.”
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“Disability gets treated as a plot device, conceived solely to further Adonis’ story.”
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“Although marketed as a lighthearted rom-com with positive messages, Sierra Burgess crosses too many ethical lines to fully enjoy.”
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“While overly simplistic, Hell Fest does feature some nuances of female friendship.”
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“Without an independent arc, Zoë Kravitz’s character exists mainly to provide emotional support for the male protagonist.”
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"The clear lack of interest in non-white perspectives makes The Spy Who Dumped Me a little hard to root for."
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“Ant-Man and the Wasp feeds into a longstanding trope about disability and doesn’t even seem to realize it’s doing it.”
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“Uncle Drew does nothing behind the scenes to give actual opportunities to older actors.”
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“Avengers: Infinity War is an exercise in extreme toxic masculinity.”
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“The only characters with any power in Ready Player One are exclusively straight white men.”
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