The Only Living Pickpocket In New York
“The Only Living Pickpocket In New York avoids the stereotype of characters over 60 being uncomfortable with technology or unable to adapt.”
Title: The Only Living Pickpocket In New York (2026)
Director: Noah Segan 👨🏼🇺🇲
Writer: Noah Segan 👨🏼🇺🇲
Reviewed by Sarah Manvel 👩🏼🇮🇪🇺🇲🌈
Technical: 5/5
In the crime thriller The Only Living Pickpocket in New York, which had its international premiere at Berlinale this year, viewers follow petty thief Harry. Played by an extraordinary John Turturro, Harry rides the subway all over New York, quietly observing and striking like a cobra the moment he spies an opportunity to lift wallets and fancy watches and pawn them for cash. All the while, he maintains friendly relationships with cops and neighbors alike, and he’s also the sole carer for his disabled wife Rosie (Karina Arroyave), whom he loves with his whole heart. But when Harry makes the split-second decision to rob a vintage car belonging to a young poseur named Dylan (Will Price), the theft turns out to be the biggest mistake of Harry’s life.
Through this premise, writer-director Noah Segan explores the tension between analog and digital lifestyles. Dylan uses modern surveillance to track Harry down and threaten devastating consequences. The question becomes whether Harry’s old-school methods will enable him to avoid said consequences while keeping Rosie safe. The writing flows like butter, New York City’s complexity has rarely felt more organic on screen, and the final twist is magnificent.
Gender: 3.5/5
Does it pass the Bechdel Test? NOPE
The film focuses on male leads, but essential characters are played by women like Tatiana Maslany, Jamie Lee Curtis, and Victoria Moroles. While their parts don’t interact, it’s clear that Harry treats the women in his life with respect and sees them as equals. It’s also notable that Segan portrays these women as better adapted to modern technology and, more generally, to modern life than male characters like Harry and his best friend Ben (Steve Buscemi), thereby putting women in a positive light.
Race: 4/5
It’s rare to see a movie that accurately reflects the diversity of New York and captures the often unconventional friendships people from all walks of life develop in the city. With the exceptions of Harry, played by Italian American actor Turturro, and Dylan’s all-white crew, almost all minor and supporting roles are played by actors of color. These include the aforementioned Arroyave and Moroles, plus Giancarlo Esposito as Detective Warren. There are no lazy stereotypes, just quick characterisations of interesting people from many backgrounds. Mixed-race families are ordinary here. But one rule is the same for everyone: family first, always.
Bonus for Age: +1.00
The plot hinges on Harry’s rejection of modern technology. But crucially, Segan avoids the stereotype of characters in their 60s, like Harry, being uncomfortable with technology or unable to adapt to it. Instead, they’ve knowingly opted out of the conveniences of the digital world due to privacy concerns (though Harry has gone further than almost anybody). In contrast, younger characters demonstrate hubris, mocking Harry’s old-school methods and appearing astonished by previous norms, like memorizing a phone number.
Bonus for Disability: +0.25
Rosie’s unidentified disease, which has ended her ability to speak or move her body, is portrayed as a sad fact of life. Harry’s excellent care of her is an easy way for him to demonstrate his love for her—nothing less and nothing more. When Rosie is under threat from Dylan’s group, it’s positive that the young men never actually harm her, removing a potential element of exploitation. Rather, disability is neutrally woven into the film’s narrative.
Mediaversity Grade: A- 4.58/5
A realistic depiction of a diverse city AND an enjoyable thriller, The Only Living Pickpocket in New York is a genuine treat.
Like The Only Living Pickpocket in New York? Try these other titles that celebrate New York City’s hustle and bustle.
Notice to Quit (2024)
Uncut Gems (2019)
Hustlers (2019)