“Aging and disability often go hand in hand, and Josh Margolin easily works that fact into Thelma, leveraging it for power and humor.”
Read More“Omoiyari: A Song Film by Kishi Bashi delves into Japanese American history and identity, but at times its discussions on race feel underdeveloped.”
Read More“The Miracle Club’s fumbling ‘Mr. Mom’ scenes feel dated, banking on an audience that finds male ineptitude silly, rather than simply frustrating.”
Read More“Alejandro’s financial stress—and existential dread—in Problemista as he waits to get a visa sponsorship could just as easily have been my own.”
Read More“Armageddon Time’s autobiographical nature should not be a pass for crafting hollow Black and female characters.”
Read More“The Woman King provides a template for how men can advocate for women.”
Read More“The Eternal Daughter uses a complicated mother-daughter relationship as its central mystery.”
Read More“Everything Everywhere All At Once accurately captures the organic changes in language and accent that divulge a character’s underlying traits.”
Read More“Mars One naturally works in disabled narratives through several of its key characters.”
Read More“While Bruised gets a gold star for lesbian representation, other stereotypes prove to be its weakest elements.”
Read More“CODA clearly trusts its magnetic cast to honestly portray dimensionality within a Deaf family.”
Read More“Please, Hollywood, give me more films with women in their 40s and 50s kicking ass!”
Read More“The Hitman’s Wife’s Bodyguard relies on racially themed humor that’s mostly self aware but ultimately unfunny.”
Read More“The Father presents the rare perspective of someone experiencing memory loss but fails to go beyond the view of a white man with financial means.”
Read More“Ludi successfully humanizes the sometimes one-dimensional idea of ‘immigrant grit.’”
Read More“With two Hoffmans, a Schultz, and a Rubin, it doesn’t take a genius to realize that many of the characters in this story are Jewish.”
Read More“By prioritizing a straight perspective, So My Grandma’s a Lesbian! pushes its queer protagonists to the sidelines.”
Read More“Sammy and Patricia tussle and yell with sheer physicality, occupying space in a way that young Chinese American women aren’t normally afforded in American media.”
Read More“Mank jubilantly leans into the sexism and racism of pre-war Hollywood.”
Read More“Nomadland presents older characters, many living with disabilities, unvarnished but with endless empathy.”
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