“Marvel’s Runaways catapults us into the future, where demographics match those of reality and you can be attracted to whoever the F you want.”
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“The CW has a positive history of prioritizing inclusion; however, Dynasty is full of minor clichés and predictable stereotypes.”
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“The non-white roles in The Marvelous Mrs. Maisel are about as lazy as you can get, if not a bit regressive.”
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“A departure from many other long-running crime procedurals, Elementary deliberately avoids tired tropes.”
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“The diversity of Dark Matter appears strong, but scratch beneath the surface and you’ll quickly find retro underpinnings that keep this show from being truly progressive.”
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“Star Trek’s first black Captain, Benjamin Sisko, is an amazing character whose blackness never feels dialed down.”
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“I don’t love the show, but I love what it wants to be and has the potential to be.”
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“Grace and Frankie portrays the multifaceted lives of older women as well as older gay men.”
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"The women are complex and well-rounded but they remain, unfortunately, in service to the men and boys of the show."
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“Not only does Superstore showcase diversity in age, body type, gender, race, and sexual orientation, its critique of class is especially incisive.”
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“The absence of LGBTQ from 13 seasons of Criminal Minds rings hollow, especially disappointing when the show fares so well in other categories.”
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“Kim’s Convenience is part of an exciting new chapter of Asian faces on Western television.”
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“Outlander is fantastically feminist but has never heard of intersectionality."
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“I dream of a day when cis actors playing trans is looked upon with the same revulsion that we now reserve for white actors playing racial caricatures.”
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“Gypsy does what it says on the tin, making it the perfect guilty pleasure.”
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“Sense8 is a landmark for LGBTQ representation.”
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“The connection between Kat, who is newly bisexual, and Adena, a Muslim lesbian, is one of the highlights of the show.”
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“Neo Yokio is so obviously a male work with an unapologetic male gaze.”
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“Cleverman is a step forward for Aboriginal storytelling but it’s built on the shoulders of mediocre writing and male machismo.”
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“The writers of The Good Place prove that you can create ridiculous, exaggerated characters without ever having to reach for flat characterizations or stereotype.”
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