“American Fiction’s small inclusion-related missteps undermine its own thesis.”
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“It’s refreshing to see a transmasc actor play a pivotal part of Talk to Me without having their gender identity exploited.”
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“I was uncomfortable watching yet another film about tortured white male genius when the victims of the atrocities glossed over by Oppenheimer had no voice.”
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“Rustin doesn’t go far enough to say anything of substance.”
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“Saltburn toes the blurred line between a positive reclamation of the ‘evil gays’ trend and a negative stereotype.”
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“Omoiyari: A Song Film by Kishi Bashi delves into Japanese American history and identity, but at times its discussions on race feel underdeveloped.”
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“Thrilling, dark, and visibly diverse, The Hunger Games: The Ballad of Songbirds & Snakes makes for an enjoyable update to the blockbuster trilogy.”
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“Characters in The Holdovers have an assortment of disabilities—some of them normalized, but some that border on cliché.”
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“Killers of the Flower Moon stakes its curiosity in the sins of white men rather than in the rich lives and contributions of Native peoples.”
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“100 Yards neatly deviates from its more jingoistic peers by painting a slightly nuanced picture of a global port city in the 1920s.”
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“Though it shares a perspective that’s sorely underrepresented in film, Bye Bye Tiberias stands too close to its subjects.”
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“Seagrass incorporates themes of being Japanese Canadian and biracial with coherent, if sometimes heavy-handed language.”
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“Red, White & Royal Blue continues a bias for a certain type of queer presentation.”
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“Shortcomings doesn’t try to force any answers on us, acknowledging the thorniness of honest, unfiltered conversations.”
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“Margot Robbie plays the main character in Barbie, but it’s Latina women—America Ferrera’s Gloria and onscreen daughter Sasha—that tug at the heartstrings the most.”
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“In Elemental, the choice to present Wade as the catalyst for Ember’s growth devalues her strength and independence.”
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“The Miracle Club’s fumbling ‘Mr. Mom’ scenes feel dated, banking on an audience that finds male ineptitude silly, rather than simply frustrating.”
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“Asian women get to be sexy, horny, and messy in Joy Ride, rather than exotified or leered at through a white male gaze.”
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“Indiana Jones and the Dial of Destiny fulfills its don’t-cancel-me quota and phones in the rest.”
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“Gwen takes on a larger role in Spider-Man: Across the Spider-Verse.”
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