“Seeing five women dominate the screen initially felt like a victory.”
Read More
“The Post bills itself as a feminist movie, but its portrayal of female empowerment is remarkably dated.”
Read More
“If you’re at all squeamish about the casual violation of women, both onscreen or narratively, then skip this film.”
Read More
“As a rare leading man who isn’t defined by toxic masculinity, T’Challa is surrounded by strong women whose feminine power fortifies, rather than antagonizes, his own masculinity.”
Read More
“The portrayal of women and people of color in Life doesn’t outright offend, but their renderings are as watery as the rest of this cinematic oatmeal.”
Read More
“War for the Planet of the Apes rebukes toxic masculinity and centers nonverbal communication, but it forgets to lift up women or people of color in its ambitious goals.”
Read More
"Hiring LGBTQ talent into major creative roles can spur more interesting storytelling."
Read More
“Disney has displayed complete inertia in updating this franchise for modern audiences.”
Read More
“The film is indifferent to inclusion, just as it’s indifferent to lengthy dialogue or complex characterizations.”
Read More
“Condon’s Beauty and the Beast delivers a strong female lead, but fails to break out of its nostalgic trappings.”
Read More
“The stereotyping of Black and Indigenous men are made worse by the fact they never speak, nor do they have any backstories.”
Read More
“Darkest Hour cheerily pads its film with a white cast, setting aside just one speaking role for a non-white actor.”
Read More
“Of the 21 named characters in Proud Mary, just 2 are women."
Read More
“The glib affirmation of rape culture provides more underlying horror than viewers may bargain for.”
Read More
“The Shape of Water probably had inclusive goals, but execution is everything. ”
Read More
“Early Man’s lovable and non-verbal warthog has more screen time than any female character.”
Read More
“The Commuter uses female characters as nothing more than plot accessories.”
Read More
“Call Me By Your Name has been marketed as a gay romance, yet less overt is its inclusion of Jewish culture.”
Read More
“Molly’s Game takes away Sorkin’s biggest Achilles’ Heel—writing complex female characters—by basing his story off a woman’s autobiography.”
Read More
“How many more times do we need to glorify black pain? And to what end?”
Read More