“Darkest Hour cheerily pads its film with a white cast, setting aside just one speaking role for a non-white actor.”
Read More“Of the 21 named characters in Proud Mary, just 2 are women."
Read More“The glib affirmation of rape culture provides more underlying horror than viewers may bargain for.”
Read More“The Shape of Water probably had inclusive goals, but execution is everything. ”
Read More“Early Man’s lovable and non-verbal warthog has more screen time than any female character.”
Read More“The Commuter uses female characters as nothing more than plot accessories.”
Read More“Call Me By Your Name has been marketed as a gay romance, yet less overt is its inclusion of Jewish culture.”
Read More“Molly’s Game takes away Sorkin’s biggest Achilles’ Heel—writing complex female characters—by basing his story off a woman’s autobiography.”
Read More“How many more times do we need to glorify black pain? And to what end?”
Read More“It’s alarming that millions of young men are watching—and internalizing—this display of toxic masculinity.”
Read More“Where Rose has paved the way, other female characters of color need to follow.”
Read More“There are ways to portray a goober who happens to be overweight without resorting to fat-shaming for laughs.”
Read More“Mudbound ditches the simplistic notion that white nationalism only hurts black people, arguing instead that intolerance is a poison that sickens everything around it.”
Read More"The film harbors no curiosity whatsoever of the man behind the brown skin and turban."
Read More"Having a woman at the helm cements the feminist chops of The Beguiled; however, people of color are absent from this eerie fable."
Read More“Coco may very well be my favorite Pixar film to date. But a film that doesn’t designate the mere seconds it takes for two women to exchange words will always have room for growth in terms of inclusion.”
Read More“Rough Night is uneven in more ways than one, displaying a fantastic same-sex relationship in the same breath as it makes fun of fat people.”
Read More“In Three Billboards, Black and Latino characters come to the rescue of white protagonists yet enjoy no character development of their own.”
Read More“Women speak for less than 4 minutes in a film that runs 2 hours and 6 minutes long.”
Read More“While Wonder does generally reflect its diverse setting of New York City, leading roles remain exclusively white.”
Read More