“Women are aggressively objectified for the male gaze, while people of color are simply erased.”
Read More
“Power Rangers exudes a deep understanding that inclusion is more than just a checklist. This is no more apparent than when they mix different identities within the same character.”
Read More
“Given that the story centers on toy pony princesses with magical abilities, My Little Pony: The Movie contains multitudes to unpack.”
Read More
“This F grade has nothing to do with whitewashing and everything to do with being a walking disaster.”
Read More
“Stronger stops short of authentic casting but manages to present Jeff Bauman’s story with sensitivity and realism.”
Read More
“The only healthy depiction of a complex, romantic relationship in Atomic Blonde takes place between Lorraine and Delphine.”
Read More
“People of color are picked off easily, like a retro horror film where the Black guy gets killed first.”
Read More
“American Assassin uses Islam as a convenient shorthand for terrorism and evil, yet it’s conspicuously absent in ‘good’ characters from Iran.”
Read More
“Women and people of color exist at the margins of Spider-Man: Homecoming, peeking in but never developing corporeal form.”
Read More
“Columbus flies through our metrics on the steam of its fully-realized character development.”
Read More
“Despite addiction being one of the main themes of the film, The Glass Castle fails to adequately address the issue.”
Read More
“If this is the future of media, I think I’m going to like it here.”
Read More
“Dunkirk is a sensory feast with palpable nostalgia for an era before women’s liberation and civil rights movements.”
Read More
“LOEV has its heart in the right place but suffers from uneven storytelling and a lack of female characters, both of which hurt its Mediaversity score.”
Read More
“Globalization is producing nascent experiments in multicultural filmmaking; some miss the mark while others, such as Bong’s Okja, present true creativity and collaboration.”
Read More
“Kumail Nanjiani, a Pakistani-American from a Muslim family, leads a romantic comedy that has played to sell-out theaters in its first week of previews.”
Read More
“Kapoor & Sons chips away at the tall task of normalizing LGBTQ individuals in Indian cinema.”
Read More
“All Eyez on Me’s important commentary on race gets overshadowed by its technical problems.”
Read More
“Highly enjoyable popcorn flick which ticks the box of female empowerment despite struggling to break into truly progressive territory.”
Read More
“Women of color are either sexual objects or played off for laughs. For example, Mantis—found by Ego and raised as his servant and ‘pet’— seems to be written explicitly for the film to indulge in submissive Asian stereotypes.”
Read More