“Anna mines familiar story beats and stereotypes without adding anything new to the genre.”
Read More“Endgame fails its female characters by devaluing them and forgets its characters of color entirely.”
Read More“The treatment of race in Hellboy could be seen as a minor bright spot.”
Read More“Michelle Yeoh continues to be #LifeGoals.”
Read More“Despite some characters feeling stereotypical, A Madea Family Funeral takes an honest look at the Black experience during mourning.”
Read More“Cold Pursuit stumbles in its exploration of how Native Americans are treated in the United States.”
Read More“Hereditary literally demonizes a transgender spirit.”
Read More“Disability gets treated as a plot device, conceived solely to further Adonis’ story.”
Read More“Although marketed as a lighthearted rom-com with positive messages, Sierra Burgess crosses too many ethical lines to fully enjoy.”
Read More“While overly simplistic, Hell Fest does feature some nuances of female friendship.”
Read More“Without an independent arc, Zoë Kravitz’s character exists mainly to provide emotional support for the male protagonist.”
Read More"The clear lack of interest in non-white perspectives makes The Spy Who Dumped Me a little hard to root for."
Read More“Ant-Man and the Wasp feeds into a longstanding trope about disability and doesn’t even seem to realize it’s doing it.”
Read More“Uncle Drew does nothing behind the scenes to give actual opportunities to older actors.”
Read More“Avengers: Infinity War is an exercise in extreme toxic masculinity.”
Read More“The only characters with any power in Ready Player One are exclusively straight white men.”
Read More“The Fast and the Furious has long been lauded for its diversity, and if we’re looking specifically at racial diversity, then the kudos are deserved.”
Read More“Isle of Dogs emphasizes the inscrutability and Otherness of its Japanese characters. I was deeply uncomfortable listening to the majority white audience laugh when they would speak.”
Read More“Alma is a well-matched partner in Reynolds’ games of power and manipulation. She is not defenseless. She has agency, cunning, and intelligence.”
Read More“The Post bills itself as a feminist movie, but its portrayal of female empowerment is remarkably dated.”
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