“Mudbound ditches the simplistic notion that white nationalism only hurts Black people, arguing instead that systemic racism is a poison that sickens everything around it.”
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“Girls Trip puts their money where their mouth, providing work opportunities for actors of color. Of the top-billed 15 characters, 12 go to black actors."
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“Gerwig brings everyone down to their base components: fragility, strength, and the overarching sense that we are all just figuring ourselves out.”
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“The only healthy depiction of a complex, romantic relationship in Atomic Blonde takes place between Lorraine and Delphine.”
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“Columbus flies through our metrics on the steam of its fully-realized character development.”
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“If this is the future of media, I think I’m going to like it here.”
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“Kumail Nanjiani, a Pakistani-American from a Muslim family, leads a romantic comedy that has played to sell-out theaters in its first week of previews.”
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“Arrival has a refreshing gender role-reversal.”
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“Captivating, magnetic, eerie, and kinetic”
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“Moonlight doesn’t explicitly tackle topics of race. Instead, it focuses on the humanization of Black boys and Black men.”
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“Hidden Figures presents a different angle to what it means to be black in America.”
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“Rogue One won my heart through ethnic diversity; the number of non-white characters in major roles stretches long.”
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